Wednesday, March 19, 2008

Leftover Plots, Part III

copyright 2008 by Gary L. Pullman
 
As a result of considering “leftover plots” or plot-seeds or springboards or whatever we choose to call narrative motifs that occur in the television series Buffy the Vampire Slayer, we identified several additional storylines that could have been used in the series or (better yet, for us) that we ourselves, with some revision regarding characters, setting, and other narrative elements, could employ to write horror stories (or even novels) ourselves:
  • An imprisoned character can escape, causing more mischief or even a little death and destruction before being killed or imprisoned again.
  • Things that give rise to new organisms or liberate forces or entities, such as eggs, seeds, volcanic eruptions, earthquakes, melting icebergs, shifting tectonic plates, earthbound meteors, and the like, can introduce new characters, including such worthy adversaries as hideous, horrible monsters.
  • Problematic characters, such as a naïve, incompetent, or foolish follower or sidekick can create havoc and endanger lives.
  • Physical objects, or artifacts, can function as inciting moments that spark a chain of narrative incidents, setting the rest of the story in motion.
We also learned some important factual matters pertaining to this technique:
  • Ideas cannot be copyrighted, so they are fair game as inspirations for plots.
  • The specific and unique ways in which ideas are developed can be, and often are, copyrighted. Using the characters, settings, and other elements of such treatments could constitute plagiarism and/or copyright infringement.
  • Ideas must be given an original treatment in which characters, settings, and other elements are new, not derivative.
We learned, further, in the second post in this series, that several Buffy plots deal with xenophobia, or the fear of strangers and that, to enhance the mystique of the stranger, the series’ writers used such techniques--okay, they can be called “tricks,” if one prefers to think of them in this way--as these:
  • A possible threat. (Is the mysterious Angel stalking Buffy?)
  • Romantic intrigue AND star-crossed love. (Buffy no sooner meets Angel than they’ve become a couple, but, since he is, as she soon learns, a vampire, and she’s the slayer, theirs will be star-crossed, to say the least.)
  • Juxtapositions. The past (as represented by print-bound books) and the present (as represented by computers and cyberspace) meet, and they don’t get along all that well. Good (Buffy) and evil (Angel and the other vampires) represent two moral extremes. The natural, everyday world of Sunnydale and its citizens’ mundane lives are set against the supernatural world of their vampire foes. Life, as it is lived by Buffy and her friends, is contrasted with the life-in-death state in which the vampires exist, a hedonistic world of the senses and of passions that are cut off from such roots as love and compassion.
  • Similarity of themes. Buffy often explores a theme from several perspectives. For example, Willow, whose love for Xander remains unrequited because of his love for Buffy, which is also unrequited because Buffy loves Angel, leaves Willow lonely, as does Marcie’s neglect by her peers. In each instance, the characters’ loneliness leads them to foolish actions. In Willow’s case, she is saved by her friends, to whose circle she returns. Marcie, having no friends, becomes a ward of the state, so to speak, after Buffy rescues Cordelia and defeats Marcie. Although it may not cure one’s loneliness altogether, friendship, such thematic treatments suggest, is the tie that not only binds but also saves one from a perfunctory, institutional existence as a ward of, and a servant to, the state.
  • Animation of inanimate objects. This is a motif that is popular in fantasy fiction, including the horror and the science fiction genres. The animation of inanimate objects, whether through magical or technological means, is a subtype of the artifact plot device, in which an object, whether a ring (Lord of the Rings), a crystal (The Dark Crystal), or even a spaceship (Rendezvous with Rama) or some other object is the artifact.
  • Trauma’s consequences. As child abuse, spousal abuse, torture, combat and other mistreatment or crisis situations have shown, trauma has long-, if not life-long, consequences and can cause recurring nightmares, acts of violence, and other disturbed behavior.
  • Duty’s duty. Blaise Pascal wrote, “The heart has reasons which reason does not know.” So has duty. Even when there is no logically defensible reason to do so, the claim of duty often holds, especially when altruism, or even self-sacrifice, are directed at protecting others, more helpless than oneself, about whom one cares. Buffy dies that others may live, and, in doing so, she underscores the supreme values of brotherly love, courage, and that pesky pest, duty.

In this post, we’re going to consider how strong supporting characters can suggest plots that could be developed further in additional stories, or, in the case of Angel, even an entire additional series of stories.

One of the many strengths of the Buffy series is its writers’ development of strong characters who are not only individualized and sympathetic, but who also seem like actual people instead of merely a collection of so many personality traits that behave in a predictable fashion. These characters are springboards to action and, since many recur (and others could recur) in later episodes, they represent springboards (or possible springboards) to additional plots.

Angel, who is also known (particularly when he’s in his evil-vampire, as opposed to his vampire-with-a-soul mode) as Angelus, is a strong character because he suffers and because he switches back and forth between his evil-vampire and his vampire-with-a-soul modes, thereby complexifying both the series’ action and his relationships with other characters, especially Buffy. A lazy and irresponsible youth, Angel wants to see the world, and when a beautiful young noblewoman offers him the opportunity to do so, he accepts, whereupon, transforming into a vampire, she bites him, sucking his blood before, cutting herself across the breast, she shares her own vital fluid with him. He becomes a vampire, losing his soul. With no conscience to inhibit his actions, he kills his parents and his younger sister before psychologically tormenting a young woman named Drusilla by killing her family and, on the night she’s to take vows to become a nun, transforming her into one of the undead, causing her, at last, to lose her sanity as well as her soul. As Angel tells Buffy, for over two hundred years, he has committed one terrible deed after another, “with a song in my heart.” To punish him for killing one of their daughters, a gypsy tribe’s sorceress curses Angel by restoring his soul, and he feels tremendous remorse for the many unconscionable deeds he’s committed. He also falls in love with Buffy. Because of this love, and because he hopes to redeem himself, Angel assists her in defeating demons, vampires, and the other creatures of darkness who come crawling out of the Hellmouth each week. However, the curse is later lifted (before being restored), so that he goes back and forth between good and evil, now a friend, now an enemy, who is both a blessing and a curse to Buffy and her friends, reaching a low point in his murder of Buffy’s mentor’s girlfriend, Jenny Calendar. Angel was such a rich and complex character that he became the protagonist on his own series, Angel, in a spin off from Buffy.

Beautiful Cordelia Chase is the snobby rich girl and a natural foil to Buffy. Concerned, always, with image and the latest fashion, Cordelia appears shallow and facile, but, like the other characters in the series, she turns out to be full of surprises. Initially, she detests Xander Harris, a member of Buffy’s circle of friends, as a gauche, unsophisticated zero. Despite his good looks, hilarious sense of humor, and fearlessness, Cordelia avoids him like the plague, not wanting to be seen in his presence. When, stalked by an assassin with supernatural powers, they are trapped in Buffy’s basement, facing a common threat, and their apparent mutual hatred is revealed to mask a reciprocal attraction, as yet another argument between them ends in a passionate kiss that ignites a sizzling relationship--at least until Xander cozies up to Willow Rosenberg. Cordelia is not an entirely sympathetic character, but, because of her audacious arrogance, her spunk, her sarcastic sense of humor, her extreme sense of entitlement, and her in-your-face narcissism, she’s a character whom viewers loved to hate. Later, after her father is imprisoned for income tax evasion, leaving his family much less well off financially, and Cordelia is reduced to working for her spending money, her character softens, and she becomes more likeable. Although she isn’t a sympathetic enough character, even then, to carry her own series, she does leave Sunnydale, moving to Los Angeles, to seek an acting career in order to be a supporting character in the new Angel series.

Willow, Buffy’s confidante, is a witch whose powers develop over the span of the Buffy series until, in the fifth season, she has become a force with which to be reckoned. A shy, retiring, somewhat naive wallflower early in the series, she has a crush on Xander (who has a yen for Buffy, who likes Angel). Later, she discovers that she prefers her own sex and has a relationship with Tara Maclay that ends when Tara is killed by Buffy’s enemies. Thereafter, Willow has a relationship with a “potential slayer,” Kennedy. Between lesbian lovers, Willow has a relationship with Oz, a guitarist in a local band, Dingoes Ate My Baby, who becomes a werewolf when his infant werewolf cousin, Jordy, bites him. Unable to control his transformation, and fearing for Willow’s safety, Oz leaves Sunnydale to seek a cure for his condition. In his absence, Willow, now enrolled in college, meets Tara, discovering her lesbian proclivities. Willow, a sweet personality, is also a rich, complex character and, because of her witchcraft, could have been successful as a protagonist of her own series, were Charmed, a series about young adult witches not already on the air.

Even Buffy’s mentor, the Watcher Rupert Giles, is (or was, at one time) to receive a series of his own, possibly to be called Ripper. (The status of the show is unclear at the moment.) Dressed in button-down shirts, subdued neckties, and three-piece tweed suits, complete with handkerchief, wearing glasses, and taking tea in his office, the Sunnydale High School librarian (formerly of the British Museum), Giles is the stereotypical stoic, stiff-upper-lip, repressed Englishman--or so, at first, he appears. However, like most of the characters in Buffy, he has a complex back story that adds shades and nuances to his inner self. As a defiant and rebellious youth, Giles resisted his calling to become a member of the Watchers’ Council, which identifies, trains, counsels, and otherwise mentors slayers. As a university student, Giles became a warlock, joining a group of sorcerers (much as Willow, in college, joined a coven). They performed a ritual to summons a demon, which appeared, and has been stalking them, individually, ever since, killing them one by one. Giles blames himself for the deaths. It was partly as a result of the guilt he feels that he accepted his responsibilities as a Watcher, becoming Buffy’s mentor. After the Buffy series ended, its creator, Joss Whedon, spoke with the actor, Anthony Stewart Head, who played Giles, about reprising his role, but as a Watcher, but one who is now semi-retired, living again in England, and investigates paranormal and supernatural incidents. The series’ theme, Whedon said, would be loneliness, exploring how a man alone copes with life on his own. At present, the projected story is said to be still a possibility, although as a motion picture, rather than as a television series, to be aired on the British Broadcasting Corporation (BBC).

One more example suggests, again, how characters who are given a rich back story, solid development, and sophisticated treatment can be used to initiate, sustain, and further develop plots in an ongoing series of stories. In “Lie To Me,” an insecure, rather pitiful, young blonde who survives by becoming a hanger-on of others who appear, at least, to be abler than she is of meeting life’s responsibilities and challenges, joins a cult of wannabe vampires, calling herself, in this, her latest incarnation, Chanterelle. Buffy arrives to save the cult from becoming the feeding ground of real vampires, led by Spike, and Chanterelle shows up again in “Anne,” having moved to Los Angeles, where she is going by the name of Lily and is dating a young man named Ricky. Buffy has moved to Los Angeles after running away from home in Sunnydale, unable to cope with having to send Angel to hell. Despite having renounced her role as the slayer, Buffy assists Lily in trying to find Ricky, and, when Buffy’s life is endangered, Lily foregoes her milquetoast manner to shove a demon off a platform and save the day (and Buffy), thereby gaining autonomy and a modicum of confidence. Before returning to Sunnydale, Buffy allows Lily to take on another name--Buffy’s middle name, Anne--and lets her stay in the motel room that Buffy had rented for another few weeks. Chanterelle-Lily-Anne never appears in another Buffy episode, but she could have, had she returned to Sunnydale or Buffy visited Los Angeles again. Therefore, like many of the other characters in the series, Anne represents what could have been a catalyst for another Buffy plot.

A problem that many viewers and critics have concerning the series is that, despite the richness and complexity of many--even most--of its characters, the writers, particularly under the supervision of Marti Noxon, tended to become too melodramatic and to forego interesting and believable (within the terms of the show’s own mythos) dramatic situations and character development in favor of cheap, maudlin characterization and dramatic spectacle--in other words, to take the easy way out rather than to go for the throat. There’s no question that the series suffered after its third season, going steadily downhill thereafter, until its seventh and final year, when even many of its diehard fans had given up on the show. If there’s a lesson to be learned from this, it’s to always strive for the gold, never settling for just something--anything--to fill the airwaves. Unfortunately, under the inept direction of Noxon, who seems to be more a craftsman than an artist, well versed in all things metaphorical, symbolic, and tawdry without having a clearly defined idea of drama or even the simplest notions of what really makes people tick, the show suffered a long, slow, and painful demise when it could have ended on the same note of astonishment and success on which it started and which it maintained, more or less consistently, until Whedon made the fatal error of turning the show’s reins over to an unaccomplished horsewoman. Part of a storyteller’s art is knowing how much is enough and when to quit. (In fairness to Noxon, she is the author of some of the better episodes in the series. She is a better writer than she is a producer and, as such, another indication of the truth of the Peter Principle.)

Note: One of the intriguing things about Buffy is that many of its characters were recurring, if not regular, members of the cast. Some started out with small parts which developed into larger roles. Others, such as Amy Madison, and Giles’ fellow warlock from his college days, Ethan Rayne, remained fairly static, but reappeared when the plot required someone to get the narrative ball rolling. Indeed, several of the show’s female characters were played by actresses who’d auditioned for the part of the show’s protagonist but were not selected: Amy Madison (Elizabeth Anne Allen), Darla (Julie Benz), and Cordelia Chase (Charisma Carpenter), and Danny Strong, who tried out for the role of Xander received the recurring role of Jonathan. Whedon made the most of all the actors’ talents, assigning lesser, but significant, parts to those who didn’t make the cut for the series’ main character or major supporting characters, thereby capitalizing upon the strong acting abilities of the runners-up, which isn’t often the case in television. As a result, lesser characters were played by skillful actors whose abilities were already known as a result of their having auditioned for other roles. Having considered only a few of the lessons to be learned from a consideration of Buffy the Vampire Slayer episodes, we’ll revisit the topic of “Leftover Plots” in future installments.

A Dictionary of the Paranormal, the Supernatural, and the Otherworldly (V - Z)

copyright 2008 by Gary L. Pullman


Note: Unless otherwise noted, definitions are courtesy of dictionary.die.net, an Internet dictionary in the public domain.
V

Vampire--a corpse that rises at night to drink the blood of the living.

Vanishing--the sudden disappearance of an object that may or may not reappear or be seen again; many such vanishings are said to have occurred in the so-called Devil’s, or Bermuda, Triangle; see “Bermuda Triangle” and “Saladin balloon” (the author).


Veronica cloth


Veronica cloth, miraculous image of Christ on--veils or other cloths upon which the image of Christ’s face appears or is a part, as a result of a miracle; see “holy relic”) (the author).

Victor, wild boy of Aveyron-- “a boy who apparently lived his entire childhood alone in the woods before being found wandering the woods near Saint Sernin sur Rance, France (near Toulouse) in 1797” (Wikipedia); see “feral children.”

Virgin Mary--the mother of Jesus Christ; according to the gospels, she conceived as a virgin, impregnated by God, and bore and delivered his son, the founder of Christianity, in which religion he is considered “the only begotten son of God”; see “Fatima, Virgin Mary appears at” (the author).

Vitalism--a doctrine that life is a vital principle distinct from physics and chemistry.

Voodoo--a religious cult practiced chiefly in Caribbean countries (especially Haiti); involves witchcraft and animistic deities.

W


Wandering Jew (by Gustave Dore)

Wandering Jew--according to legend, a Jew who was cursed to wander the earth forever because he taunted Jesus on the way to his crucifixion (the author).

Warlock--a male witch or demon.

Wells, H. G.--science fiction author (see his story in the column to the right) (the author).

Werewolf--a monster able to change appearance from human to wolf.

Witch--a female sorcerer or magician.

Wizard--one who practices magic or sorcery.

X

Xenophobia--an irrational fear of strangers (the author).

Y

Ying-yang

Ying-yang--a Chinese symbol of opposites united or reconciled (the author).

Z

Zen Buddhism-- “school of Mahayana Buddhism that asserts that enlightenment can be attained through meditation, self-contemplation, and intuition rather than through faith and devotion and that is practiced mainly in China, Japan, Korea, and Vietnam. (Answers.com).


Zombies

Zombie--a dead body that has been brought back to life by a supernatural force; a spirit or supernatural force that reanimates a dead body; god of voodoo cults of African origin worshipped especially in West Indies; someone who acts or responds in a mechanical or apathetic way.

Zombie, philosophical--a a human body without consciousness which would nevertheless behave like a human body with consciousness (The Skeptic’s Dictionary).

A Note on the Dictionary Entries

Many short stories, novels, epic poems, television series, and motion pictures that involve elements of Gothic romance or horror are based, in part or in full, upon the concepts, beliefs, theories, legends, or folklore mentioned in the definitions of the terms in this blog’s “Dictionary of the Paranormal, the Supernatural, and the Otherworldly.” Here is a sample:

Ad hoc analysis: many stories, in print and on film, make use of the ad hoc hypothesis as a means of explaining, explaining away, or diverting attention from the cause of the bizarre series of incidents that have been taking place of late.

Aliens populate many stories, including H. G. Wells’ The War of the Worlds and countless movies, from Invaders from Mars to Alien and Independence Day.

Dracula nearly always wears an amulet.

The Argo and its crew, the Argonauts, appear in several movies of the 1950’s, including Jason and the Argonauts.

Stephen King alludes to auras throughout Insomnia.

Willow Rosenberg channels spirits in several Buffy the Vampire Slayer episodes, as do several of the series’ characters in “Conversations with Dead People.”

Close Encounters of the Third Kind occur in the movie of that title and in many others in which human characters encounter extraterrestrial aliens.

Crop circles occur in Signs.

In Stephen King’s Children of the Corn and other films and stories, cults are central to the plot.

Curses are featured in many films, one of which is Curse of the Mummy.

Buffy Summers has a déjà vu experience in “Becoming, Part I.”

Demons appear in countless stories, in print and on film, including, perhaps mist notably, in William Peter Blatty’s novel The Exorcist and the movie based upon it.

Dinosaurs still walk the earth (or part of it) in such films as The Lost World, King Kong, One Million Years B. C., and plenty of others, and they’re brought back in Jurassic Park.

Stephen King’s novel, Desperation, includes an encounter with the divine, as do many other horror stories, such as Bentley Little's novels, University and Revelation.

Prophetic dreams are plot elements in a number of horror stories, including Nightmare on Elm Street.

The protagonist of the film 1408, based upon Stephen King’s short story by the same title, has evidence of the haunting he experienced in the tape-recorded voice of his deceased daughter, an example of electronic voice phenomena.

Poltergeists appear in Poltergeist and many other movies and in some novels.

What would The Exorcist be without demonic possession and exorcism?

Feral children are the adversaries in Cat People and other films, and, one might argue, appear, in a sense, in H. G. Wells’ novel, The Island of Dr, Moreau.

The theories of Sigmund Freud and Carl Jung inform virtually every horror story every written, but are especially discernable in Oscar Wilde’s The Picture of Dorian Gray and Robert Louis Stevenson’s The Strange Case of Dr. Jekyll and Mr. Hyde.

Ghosts are plentiful in the fiction of horror, appearing in a myriad stories, not the least of which by any means is Henry James’ classic, The Turn of the Screw.

Hallucinations appear frequently as ad hoc hypotheses to account for the mysterious doings that characters perform and the bizarre beliefs they hold.

Without hell, Dante couldn’t have written The Inferno any more than John Milton could have penned Paradise Lost.

Samuel Taylor Coleridge’s Christabel is about a lamia.

Lycanthropy and full moons underlie every story ever written or filmed in which a werewolf appears, from The Wolfman and I Was a Teenage Werewolf to The Howling and An American Werewolf in London.

It’s largely thanks to lucid dreaming that Nancy is able to confront Freddie Kreuger in A Nightmare on Elm Street.

Logical positivism, as a convenient ad hoc hypothesis, underlies the initial rejection of supernatural realities in movies such as The Exorcist and countless other movies that include demons, vampires, and other things that go bump in the night.

A fungus, delivered courtesy of a meteorite, is the death of the character in the “The Lonesome Death Of Jordy Verril” segment of Stephen King’s Creepshow.

Numerology is at the heart of the psychological thriller, The Number 23.

Ouija Board is about, well, a Ouija board. So is Ouija.

Psychics appear in Poltergeist, Rose Red, The Psychic, The Shining, and many other horror stories, in print and on film.

Repressed memories are vital to The Turn of the Screw and the movie, The Innocents, based upon the Henry James ghost story.

Urban Legends is based upon urban legends.

Mummies, trances, vampires, voodoo, witches, and zombies are in movie after movie and book upon book, including The Mummy, Trance, Dracula, Burn, Witch, Burn!, and Night of the Living Dead.

Sources

The following sources were used in compiling this dictionary:


Note: Unless otherwise noted, definitions are courtesy of dictionary.die.net, an Internet dictionary in the public domain.

A Dictionary of the Paranormal, the Supernatural, and the Otherworldly (S - U)

copyright 2008 by Gary L. Pullman



Note: Unless otherwise noted, definitions are courtesy of dictionary.die.net, an Internet dictionary in the public domain.


S

St. Elmo’s Fire--A visible electric discharge on a pointed object, such as the mast of a ship or the wing of an airplane, during an electrical storm. Also called corposant (Answers.com).

Saladin balloon--a government balloon that “shot up” into the sky with a passenger, Walter Powell, on board, becoming lost in the vicinity of a UFO (The Charles Fort Files).

Satan--in Judeo-Christian religion, the chief spirit of evil and adversary of God; tempter of mankind; master of Hell.

Satanic ritual abuse--“alleged systematic abuse of children by Satanists” (The Skeptic’s Dictionary).

Satanism--the worship of devils (especially Satan).

Satyr--one of a class of woodland deities; attendant on Bacchus; identified with Roman fauns.

Scapulimancy-- “a decision procedure used by the Naskapi Indians whereby the shoulder of a caribou is held over hot coals causing cracks in the bone which are then used to direct a hunting party” (The Skeptic’s Dictionary).

Scientism--“the self-annihilating view that only scientific claims are meaningful, which is not a scientific claim and hence, if true, not meaningful. Thus, scientism is either false or meaningless” (The Skeptic’s Dictionary).

Scientology--“the religion that was initially established as a secular philosophy in 1952 by science-fiction author L. Ron Hubbard” (Wikipedia). Actors Tom Cruise, John Travolta, Kirstie Alley, and Karen Black and singer-actress Brandy Norwood are among its netter-known members, according to Famous Scientologists (Church of Scientology).

Scrying--“a type of divination” in which one seeks “to scry or descry is to spy out or discover by the eye objects at a distance”; crystal ball gazing is an example (The Skeptic’s Dictionary).

Sea serpents--monsters reported by sailors to inhabit the sea, some of which may have been kraken or other natural creatures that were unfamiliar to those who sighted them; Beowulf claims to have fought and killed many of them during a swimming contest against Breca (the author).

Séance--a meeting of spiritualists; "the séance was held in the medium's parlor."

Shamanism--any animistic religion similar to Asian shamanism especially as practiced by certain Native American tribes; an animistic religion of northern Asia having the belief that the mediation between the visible and the spirit worlds is effected by shamans.

Simulacra--A likeness; a semblance; a mock appearance; a sham.

Shelley, Mary--author of Frankenstein, or The Modern Prometheus; wife of the poet Percy Bysshe Shelley Sleep paralysis--“Sleep paralysis is a condition that occurs in the state just before dropping off to sleep (the hypnagogic state) or just before fully awakening from sleep (the hypnopompic state). The condition is characterized by being unable to move or speak. It is often associated with a feeling that there is some sort of presence, a feeling which often arouses fear but is also accompanied by an inability to cry out. The paralysis may last only a few seconds. The experience may involve visual, auditory, or tactile hallucinations.” (The Skeptic’s Dictionary).

Soul--the immaterial part of a person; the actuating cause of an individual life.

Sorcery--the belief in magical spells that harness occult forces or evil spirits to produce unnatural effects in the world.

Spontaneous human combustion--the reported bursting into flame, possibly from an internal, but unknown cause, so that the body or part thereof is consumed by intense heat that does not destroy nearby objects, such as the chair in which the person is seated or other objects in near proximity to the body (the author).

Spirit guide--the spirit of a dead person or a supernatural entity that mediums claim to channel, during séances, automatic writing sessions, or at other times, and who often reveals occult information to the medium and otherwise offers guidance concerning various topics, personal and otherwise (the author).

Spirit photograph--the alleged production of images on photographic media by paranormal means such as psychokinesis or of paranormal phenomena such as ghosts or astral bodies (The Skeptic’s Dictionary).

Subliminal--below the threshold of conscious perception. Superstition--an irrational belief arising from ignorance or fear.

Stigmata--marks resembling the wounds on the crucified body of Christ.



Stonehenge

Stonehenge--an assemblage of upright stones with others placed horizontally on their tops, on Salisbury Plain, England,-- generally supposed to be the remains of an ancient Druidical temple.

Synchronicity--the relation that exists when things occur at the same time; "the drug produces an increased synchrony of the brain waves."

Synaesthesia--a sensation that normally occurs in one sense modality occurs when another modality is stimulated.

T

Talisman--a trinket or piece of jewelry thought to be a protection against evil.

Tantra--doctrine of enlightenment as the realization of the oneness of one's self and the visible world; combines elements of Hinduism and paganism including magical and mystical elements like mantras and mudras and erotic rites; especially influential in Tibet.

Tarot cards--cards used to tell fortunes (or, in Europe, more commonly, to play games); the deck consists of 22 cards of the major arcana (“secrets”) and 56 cards of the minor arcana. The major arcana includes such cards as the Fool, the Emperor, the Empress, the Hierophant, the World, the Star, the Sun, Death, and the Devil; their meanings can be reversed as well (the author).

Telekinesis--a the power to move something by thinking about it without the application of physical force.

Teleportation--the movement of material objects through space by the power of the mind alone (psychokinesis) or by other means.

Testimonial evidence--a type of anecdotal evidence based upon one’s own personal experience, such as is sometimes given by churchgoers concerning how God has affected their lives or changed them as people, although testimonial evidence may include any type of testimony, such as eye-witness courtroom testimony; such evidence is regarded as seriously flawed and unreliable by scientists (the author).

Theosophy--belief based on mystical insight into the nature of God and the soul.

Theurgy--magic performed with the help of beneficent spirits.

Third Eye--a metaphysical concept that symbolizes some people’s ability to experience paranormal or supernatural phenomena (visions, clairvoyance, poetic inspiration) that come from internal stimuli rather than external stimuli; also called the “inner eye” or the “mind’s-eye”; sometimes symbolizes intuition or the imagination (the author).

Tinnitus--a ringing or booming sensation in one or both ears; a symptom of an ear infection or Meniere's disease.

Twain, Mark--American author; wrote The Adventures of Huckleberry Finn and many other works combining humor and social satire; had a prophetic dream in which his brother, Henry, was killed (the author).

Trance--a psychological state induced by (or as if induced by) a magical incantation; a state of mind in which consciousness is fragile and voluntary action is poor or missing; a state resembling deep sleep.

Troll--in Scandinavian folklore, a supernatural creature (either a dwarf or a giant) that is supposed to live in caves or in the mountains.

Shroud of Turin

Turin, Shroud of--a burial cloth that is said to bear the likeness of the crucified Christ, perhaps as a result of radiation that was released by his body upon his death; carbon dating has cast doubt upon its authenticity as Christ’s burial shroud; see “holy relic” (the author).

Truman, President Harry S--U. S. president who supposedly signed a “Top Secret, Eyes Only” document recounting the discovery of extraterrestrial corpses at a UFO crash site near Roswell, NM, and establishing a secret committee for investigating these and other visitors from other planets; the committee was known as Majestic-12 and included well-known, well-respected government officials and scientists (the author).

U

Underworld--(in various religions) the world of the dead.

Unidentified flying objects (UFOs, flying saucers)--any object that moves under its own power and cannot be accounted for (by the observer) by reference to known phenomena; many such objects turn out to be natural objects (weather balloons, clouds, atmospheric effects, aircraft, planets, meteorites); some believe them to be extraterrestrial spacecraft visiting Earth (the author).

Urantia book--a book that alleges to have been written on the basis of information provided by “superhuman personalities,” although “Matthew Block. . . has identified hundreds of plagiarized passages” in the book (The Skeptic’s Dictionary).

Urban legend-- “An apocryphal story involving incidents of the recent past, often including elements of humor and horror, that spreads quickly and is popularly believed to be true” (American Heritage Dictionary); see “testimonial evidence.”

Urine Therapy, the book

Urine therapy--the drinking of one’s or another’s urine (or its topical use) to maintain health and cure disease; supposedly, Mahatma Gandhi was a practitioner (the author).

Tuesday, March 18, 2008

A Dictionary of the Paranormal, the Supernatural, and the Otherworldly (P - R)

copyright 2008 by Gary L. Pullman

Note: Unless otherwise noted, definitions are courtesy of dictionary.die.net, an Internet dictionary in the public domain.
P

Paganism--any of various religions other than Christianity or Judaism or Islamism.

Palmistry--telling fortunes by lines on the palm of the hand.

Pandora--in Greek mythology, the first woman; created by Hephaestus on orders from Zeus who presented her to Epimetheus along with a box filled with evils.

Panspermia--The theory that microorganisms or biochemical compounds from outer space are responsible for originating life on Earth and possibly in other parts of the universe where suitable atmospheric conditions exist (American Heritage Dictionary)

Pantheism--belief in multiple Gods.

Papyromancy--divination using paper (the author).

Paradigm shift--“a change in basic assumptions within the ruling theory of science” (Wikipedia).

Paranormal--seemingly outside normal sensory channels; not in accordance with scientific laws.

Parapsychology--phenomena that appear to contradict physical laws and suggest the possibility of causation by mental processes.

Penile plethysmograph--“that measures changes in blood flow in the penis in response to audio and/or visual stimuli. It is typically used to determine the level of sexual arousal as the subject is exposed to sexually suggestive content, such as photos, movies or audio” (Wikipedia).

Pentagram--a star with 5 points; formed by 5 straight lines between the vertices of a pentagon and enclosing another pentagon.

Perpetual motion machine--a machine which, once it is set in motion, moves continuously thereafter, requiring less energy to operate than it generates; perpetual motion machines are impossible, as they violate the first law of thermodynamics (the author).

Pets, homing of--the ability of pet animals to find their way home over long distances by unknown means (the author).

Phrenology--a now abandoned study of the shape of skull as indicative of the strengths of different faculties.

Philosopher’s stone--a substance that is alleged to be able to transform a base metal, such as lead, into gold (the author).

Physicalism--the doctrine that only physical things exist and that, consequently, all things that exist are physical (the author).

Physiognomy--the human face, believed to be a key to interpreting character (the author).

Piltdown Hoax--a fraud in which the jawbone of an orangutan was represented to belong to and a human skull which had belonged to an undiscovered early form of human being (the author).

Placebo effect--a therapeutic effect without a pharmaceutical or medical basis, simply as a result of the belief that the substance provided will help to alleviate symptoms or remedy physical condition (the author).

Plant perception--the theory or belief that plants are sentient or conscious of their environment and react to stimuli (the author).

Plesiosaur

Plesiosaur--extinct marine reptile with a small head on a long neck a short tail and four paddle-shaped limbs; of the Jurassic and Cretaceous (dictionary.die.net); some believe that the Loch Ness monster may be a plesiosaur (the author).

Pluto--the Greek god of the underworld.

Poe, Edgar Allan--American author of “tales of the grotesque and the arabesque”; Poe gave the modern horror story its structure and many of its themes (the author).

Poltergeist--a noisy ghost, which is alleged to cause mischief and may be destructive and dangerous (the author).

Polygraph--see “lie detector.”

Possession, demonic or Satanic--the alleged take over and control of a person’s body by Satan or a lesser evil spirit; priests may attempt to evict the spirit by exorcising it (the author).

Post hoc fallacy--see “magical thinking.”

Pragmatic fallacy--“the pragmatic fallacy is committed when one argues that something is true because it works and where ‘works’ means something like “I’m satisfied with it,” “I feel better,” “I find it beneficial, meaningful, or significant,” or “It explains things for me” (The Skeptic’s Dictionary).

Precognition (foretelling the future)--knowledge of an event before it occurs.

Prometheus--in Greek mythology, the Titan who stole fire from Olympus and gave it to mankind.

Pseudo science--knowledge that appears to be or is represented as being scientific but does not conform to scientific principles or cannot be demonstrated as true or false by use of the scientific method; see pyramidology (the author).

PSI--”A term used to demarcate processes or causation associated with cognitive or physiological activity that fall outside of conventional scientific boundaries (ESP, for example)” (Wikipedia).

Psychic--pertaining to forces or mental processes outside the possibilities defined by natural or scientific laws; "psychic reader"; "psychical research"; a person apparently sensitive to things beyond the natural range of perception.

Psychic detective--a person who uses alleged osychic abilities to investigate crime (the author).

Psychic surgery--allegedly, the use of psychic means to perform surgical procedures (the author).

Psychoanalysis--a set of techniques for exploring underlying motives and a method of treating various mental disorders; "his physician recommended psychoanalysis."

Psychokinesis (moving objects by mental means)--the power to move something by thinking about it without the application of physical force.

Psychologism--the explanation of physical, social, historical, cultural, religious, or other facts, principles, beliefs, or values through psychological theory; often used derisively, when this approach is considered reductionistic (the author).

Psychology--the science of mental life.

Psychometry--any branch of psychology concerned with psychological measurements; The art of measuring the duration of mental processes, or of determining the time relations of mental phenomena.

Pterodactyl--extinct flying reptile.

Pyramidiocy--the supposedly scientific study of pyramids and their effects; a pseudo science (the author).

Q

No entries.

R


Rama--avatar of Vishnu; any of three incarnations: Ramachandra or Parashurama or Balarama.

Ramtha--“a 35,000 year-old spirit-warrior who appeared in JZ Knight’s kitchen in Tacoma, Washington, in 1977” (The Skeptic’s Dictionary).

Randi's paranormal challenge--the offer of “a one-million-dollar prize to anyone who can show, under proper observing conditions, evidence of any paranormal, supernatural, or occult power,” made by James Randi, a “magician and author of numerous works skeptical of paranormal, supernatural, and pseudoscientific claims” (The Skeptic’s Dictionary)

Reflexology--the massaging of feet to diagnose and cure disease” (The Skeptic’s Dictionary)

Relic

Relic, holy--a memento, such as bones, a garment, or a body part, that is believed to have belonged to a holy person or saint; see “Christ, foreskin of” (the author).

Reincarnation--a second or new birth.

Remote viewing--the use of psychic powers (and map coordinates) to discern targets or other items of intelligence at specific locations from which the “viewer” is physically absent (the author).

Repressed memory--”the memory of a traumatic event unconsciously retained in the mind, where it is said to adversely affect conscious thought, desire, and action” (The Skeptic’s Dictionary).

Retrocognition--“a type of clairvoyance involving knowledge of something after its occurrence through psychic means” (The Skeptic’s Dictionary).

Revelation--The act of revealing, disclosing, or discovering to others what was before unknown to them.

Rod--“an insect caught in the act of flying by a video camera” and passed off as “some sort of unknown alien life form” (The Skeptic’s Dictionary).

Roswell (New Mexico), UFO--site of the alleged crash of an extraterrestrial spaceship and the recovery of its injured occupants (the author).

Rumpology--“the art of reading the lines, crevices, dimples, and folds of the buttocks to divine the butt owner's character and get a glimpse of what lies ahead by analyzing what trails behind” (The Skeptic's Dictionary).

Rune--any character from an ancient Germanic alphabet used in Scandinavia from the 3rd century to the Middle Ages; "each rune had its own magical significance."

A Dictionary of the Paranormal, the Supernatural, and the Otherworldly (M - O)

copyright 2008 by Gary L. Pullman

Note: Unless otherwise noted, definitions are courtesy of dictionary.die.net, an Internet dictionary in the public domain.

Magical thinking--belief characterized by assuming that because two or more things are similar in some ways, one can affect the other or others or that mistakes coincidence or correlation for cause (the author).

Magick--a misspelling of “magic” with the intention of distinguishing spells and incantations from the tricks and illusions of the stage magician (the author).

Magnet therapy--the use of magnets to treat or cure physical or emotional diseases, or other conditions (the author).

Marfa lights--lights that appear, vanish, and reappear, behaving strangely, even for lights, near the town of Marfa, Texas. There’s another near Joplin, Missouri, and others elsewhere (the author).

Massage therapy--the use of massage to run out one’s physical, emotional, and spiritual problems, somehow (the author).

Mayan prophecy--predictions about the future, based upon the unusual Mayan calendar (the author).

Meditation--the use of transcendental techniques to relax the mind and body, levitate, fly, and perform other apparent miracles (the author).

Medium--one who allegedly communicates with the spirits of the deceased, through channeling or some other means, often acting an an intermediary between the quick and the dead (the author).

Men in Black (MIB)--supposedly government agents or agents of some other organization that dress in black and intimidate people who claim to have seen UFO’s or to have been abducted by extraterrestrial beings (as if such people don’t already have enough problems) (the author).

Mentalist--a reputed mind-reader, or clairvoyant (the author).

Metaphysics--the branch of philosophy concerned with what may be known to be real and why; the chapter in Aristotle’s book that follows the chapter on “physics”; therefore, called “meta” (after) physics (the author).

Mermaids (sirens)--fish-women given to song (the author).


Mermaid


Meteorite--;a stony or metallic object that is the remains of a meteoroid that has reached the earth's surface (Dictionary.net); some allege that meteors bring with them microbes, seeds, or plants from elsewhere in the universe (see “panspermia“) (the author).

Mind--the soul, or seat of consciousness, said to exist by some (mostly religious) people (dualists), but denied existence by others (materialists) (the author).

Mind control--the control of another person’s mind (and thus his or her behavior) by another, usually using occult techniques, without the controlled person’s knowledge or consent (the author).

Minotaur--in Greek mythology, a creature whose upper half is that of a man, and whose lower half is that of a bull; we know they exist, because Theseus killed one (the author).

Miracle--a marvelous event manifesting a supernatural act of God.

Moody, Raymond--a parapsychologist whose works include studies of, and reports concerning, near-death experiences, altered states of consciousness, divination, past-life regression, and the like; he chaired University of Nevada, Las Vegas’ Department of Consciousness Studies for five years before the department was discontinued (The Skeptic’s Dictionary)

Moon, full--a lunar phase that, according to some, inspires lunacy (and lycanthropy) (the author).

Moroni, angel--the angelic giver of the plates to Brigham Young.

Mothman--a West Virginia man-moth (the author).

Multiple personality disorder--the personality disorder in which a sufferer has ore than one personality who controls his or her behavior--Spider-Man, who is sometimes Peter Parker, is a textbook example, as are most other comic book superheroes (the author).

Murphy, Bridey--Virginia Tighe’s spiritual mouthpiece, who claimed she was a 19th-century Irishwoman who had nothing better to do, after being reincarnated, than channel herself, lilting accent and all, through Ms. Tighe, whether or not Tighe’s was hypnotized at the time (the author).

N

Naturalism--the doctrine that the world can be understood in scientific terms without recourse to spiritual or supernatural explanations.

Nazca lines--goggles (giant pictures drawn on the ground); many form animals, such as a monkey or a bird, or an arachnid, such as a spider (the author).

Near-death experience (NDE)--the belief among some patients who recover from a near-death experience that they encounter loved ones or God, sometimes after seeing a bright light or tunnel of light before being resuscitated or revived (the author).

Nephite tribe, and Mormons--the Nephite tribe is one of the so-called lost tribes of Israel; according to Mormonism, the tribe immigrated to America and one of its descendents, the leader Mormon, buried his book, Another Testament of Jesus Christ, which after it was published in 1830, became the Mormons’ book of faith, being held to be “more accurate” than the Bible or any other book (the author).

New Age--“of or relating to a complex of spiritual and consciousness-raising movements originating in the 1980s and covering a range of themes from a belief in spiritualism and reincarnation to advocacy of holistic approaches to health and ecology” (American Heritage Dictionary).

New World Order--any proposed change in the international political, social, cultural, and economic structure, real or imagined (the author).

Naiad--in Greek mythology, a nymph of lakes and springs and rivers and fountains.

Night terror--a nightmare on steroids (the author).

Noah's ark

Noah’s ark--a great boat, built by Noah, at the command of God, to carry two pairs of all animals and Noah and his family while the earth was under a flood, sent by God to drown the wicked (the author).

Numerology--the occult discipline that holds that numbers have hidden divinatory or other significance (the author).

O

Occam’s razor--the principle, advanced by William of Occam, that the simplest explanation of an event is to be preferred over more complicated ones (the author).

Occult--having an import not apparent to the senses nor obvious to the intelligence; beyond ordinary understanding; "mysterious symbols"; "the mystical style of Blake"; "occult lore"; "the secret learning of the ancients,"

Occultism--a certain Oriental system of theosophy. --A. P. Sinnett.

Ontology--the branch of philosophy that considers being, or existence, and its categories (the author).

Oracle--a priestly spokesman for the gods, who divulged the divine will to heroes (e. g., Oedipus of Thebes) and other supplicants (the author).

Orb--a sphere that is held, by some, to be a ghostly phenomenon (the author).

Orb

Ouji board--a board game, in which users use a planchette to determine answers to specific questions they ask (the author).

Ouspensky, Petyr Demianovich--a mystic who interpreted and popularized the teachings of G. I. Gurdjieff, founder of The Institute for the Harmonious Development of Man (the author).

Out-of-body experience (OBE)--the perception that one has left one’s body; there is often a perception of floating above the body and looking down upon it (the author).

A Dictionary of the Paranormal, the Supernatural, and the Otherworldly (J - L)

copyright 2008 by Gary L. Pullman
Note: Unless otherwise noted, definitions are courtesy of dictionary.die.net, an Internet dictionary in the public domain.

J


Joan of Arc (or, possibly, Leelee Sobrieski)

Joan of Arc--a Roman Catholic saint, formerly burned by the church as a heretic, who successfully led the French army against the English invaders and the Burgundian rebels to enthrone King Charles IV (the author).

Juggernaut--originally, an embodiment of the Hindu god Vishnu; now, any unstoppable force (the author).

Jung, Carl--a psychoanalyst and a one-time follower of Sigmund Freud; Jung developed the theory of a racial, or “collective unconscious” in which archetypes are stored (the author).

K

Kabbalah--A body of mystical teachings of rabbinical origin, often based on an esoteric interpretation of the Hebrew Scriptures (American Heritage Dictionary).

Karma--in Hinduism and Buddhism, Hinduism and Buddhism, the effects of a person's actions that determine his destiny in his next incarnation.

Ketamine

Ketamine anesthetic--a dissociative anesthetic that may cause so-called near-death experiences (the author).

King, Stephen--a contemporary best-selling author of short stories, novels, and screenplays in the horror genre. He has also written non-fiction articles and books.

Kirlian photography--the photographing of objects which exhibit a halo, or aura, effect as a result of the images created on a photographic plate due to high-voltage electric fields, pressures, moisture, and other natural conditions (the author; The Skeptic’s Dictionary).

L

Lamarckian evolution--“A theory of biological evolution holding that species evolve by the inheritance of traits acquired or modified through the use or disuse of body parts” (“Lamarckism: Definition and Much More from Answers.com”).

Lamia--a monster capable of assuming a woman's form, who was said to devour human beings or suck their blood; a vampire; a sorceress; a witch.

Ley lines--“alignments of a number of places of geography interest, such as ancient megaliths” (Wikipedia).

Lie detector--a device that, by monitoring various physiological processes and conditions, such as blood pressure, heart rate, and muscle contractions, is said to be able to detect whether a person is telling the truth or lying; its results are not admissible as evidence in court proceedings and are controversial among scientists and other experts (the author).

Life after death (afterlife)--existence is some state that extends beyond the death of the physical body, as is a matter of faith in many religions (the author).

Abraham Lincoln

Lincoln, Abraham--16th president of the United States, whose term occurred during the American Civil War; Lincoln had a prophetic dream in which he foresaw his assassination, which followed several days later (the author)

Loch Ness monster--a sea-serpent-like animal, perhaps a plesiosaur, said to inhabit Scotland’s Loch Ness (the author).

Logical positivism--“a 20th century philosophical movement that holds characteristically that all meaningful statements are either analytic or conclusively verifiable or at least confirmable by observation and experiment and that metaphysical theories are therefore strictly meaningless —called also logical empiricism” (Merriam-Webster Online Dictionary).

Lucid dreaming--a dream during which the dreamer recognizes that he or she is asleep and dreaming and in which he or she may consciously interact with the dream images (the author).

Lycanthropy--in folklore, the magical ability of a person to assume the characteristics of a wolf; in medicine, a kind of erratic melancholy, in which the patient imagines himself a wolf, and imitates the actions of that animal.

Monday, March 17, 2008

A Dictionary of the Paranormal, the Supernatural, and the Otherworldly (G - I)


copyright 2008 by Gary L. Pullman

Note: Unless otherwise noted, definitions are courtesy of dictionary.die.net, an Internet dictionary in the public domain.


G

Gaia--the planet earth, personified, often as a mother (the author).

Geller, Uri--a supposed psychic with telekinetic powers; famous for bending spoons with nothing more, allegedly, than his mind (the author).

Ghost--a spirit of the dead which sometimes are said to haunt the living (the author).

Global warming--the doctrine that the earth’s climate is warming, partially as a result of human activities and pollutants (the author).

Goatsucker, Puerto Rico--a mysterious animal in Puerto Rico, also known as the chupacabra, said to bite the necks of goats (and other animals) and suck their blood (the author).

God

God--in Christianity, Judaism, Muslim, and other faiths, the supreme being (the author).

Griffin--winged monster with an eagle-like head and body of a lion.

Gurdjieff, G. I.--a mystic; he established The Institute for the Harmonious Development of Man (presumably, women aren’t included) in Russia), based on lessons he’d learned from other mystics while he was traveling in central Asia (the author).

Guillotining, and life after death--the theory that the brain remains conscious for one or more moments after it has been severed from the body by a falling guillotine blade (the author).

H


Hades--in Greek mythology, the underworld, home of the dead, ruled by Pluto (the author).

Hallucination--illusory perception; a common symptom of severe mental disorder.

Healing, faith--healing of blindness, deafness, disease, mental illness, demonic possession, and other physical, mental, and spiritual conditions by faith in God’s ability and desire to deliver or heal one from these conditions (the author).

Heaven--in Christianity, the abode of the souls redeemed by Christ (the author).

Hecate--the Greek goddess of witchcraft (the author).

Hel--in Norse mythology, the name of both the underworld to which those who were not selected as residents of Asgard lived after death and the name of the goddess who ruled it (the author).

Hell--in Christianity, the abode of the damned; named for the Norse underworld, Hel (the author).

Hill, Betty and Barney--a couple who, under hypnosis, claimed that they were abducted by extraterrestrial aliens and subjected to bizarre medical experiments and tests (the author).

Hoax--a fraud perpetuated upon the stupid, naïve, and desperate by charlatans, some of whom claim to possess paranormal or supernatural powers and abilities (the author).

Home, levitating

Home, Daniel--a Scottish spiritualist and medium who claimed to be able to levitate, to communicate with the dead, and to cause rapping sounds by the power of his mind alone; Sir Arthur Conan Doyle, author of the Sherlock Holmes stories, was one of his many supporters (the author).

Homeopathy--a method of treating disease with small amounts of remedies that, in large amounts in healthy people, produce symptoms similar to those being treated.

Hot reading--fortune telling that involves the surreptitious solicitation of personal information related to the medium’s or psychic’s client or an audience which is included in the fortune subsequently told (the author).

Houris--Muslim virgins waiting to serve faithful male adherents of the faith, especially martyrs (the author).

Houses, haunted--residences (and, sometimes, commercial properties) that are said to be haunted by ghosts, demons, or other paranormal or supernatural entities or forces (the author).

Houston, Jean and the Mystery School--a New Age self-help program that fosters self-development and social progress (the author).

Howe, Linda Moulton--an investigative journalist who writes what crtics characterize as sensational articles and books and produces lurid documentaries, and films about UFO’s and related topics (the author).

Hubbard, L. Ron--science fiction author and founder of Scientology (the author).

Hundredth monkey phenomenon-”a sudden spontaneous and mysterious leap of consciousness achieved when an allegedly "critical mass" point is reached” (The Skeptic’s Dictionary).

Hybrids, alien program to breed--an alleged program by extraterrestrial aliens and/or the United States government to breed hybrid alien-humans, possibly to fill roles of authority within the world’s governments (the author).

Hypersensory perception (HSP)--intuition, such as may be displayed in interpreting body language (The Skeptic’s Dictionary).

Hypnagogic state--the “state between being awake and falling asleep. For some people, this is a time of visual and auditory hallucination” and may explain some accounts of ghosts, demons, UFO abductions, and the like (The Skeptic’s Dictionary).

Hypnopompic state--“the transition state of semi-consciousness between sleeping and waking. For some people, this is a time of visual and auditory hallucination” and may explain some accounts of ghosts, demons, UFO abductions, and the like (The Skeptic’s Dictionary).

Hypnosis--a state that resembles sleep but that is induced by suggestion.

Hysteria--neurotic disorder characterized by violent emotional outbreaks and disturbances of sensory and motor functions.

Hysterio-epilepsy--“an alleged disease discovered by Dr. Jean-Martin Charcot (1825-1893), one of the founders of modern neurology” (The Skeptic’s Dictionary).

I

I Ching

I Ching--a set of principles and symbols by the use of which people seek to balance opposite forces and find order in seemingly random incidents (the author).

Illuminati--literally, “enlightened ones”; a secret society often identified as participants in an international conspiracy to rule the world, openly or secretly (the author).

Incantation--a chant, sometimes in verse, by which sorcerers and witches sometimes cast spells (the author).

Incorruptibility of sacred bodies--bodies of saints that remain perfectly preserved, with no evidence of decay, for prolonged periods after their deaths and entombment or burial (the author).

Indian rope trick (levitation)--a magic trick in which an Indian fakir seems to climb a levitating rope (the author).

Indigo children--children of a higher degree of evolution than normal children and who are said to have paranormal powers, such as clairvoyance; they are identifiable by the indigo aura that surrounds them (the author).

Infrasound--sound below the threshold of human hearing (the author).

Intelligent design--the doctrine that the order and structure of the universe presupposes intelligent design; the basis of the argument from design, or the teleological argument (the author).

Paranormal vs. Supernatural: What’s the Diff?

Copyright 2009 by Gary L. Pullman

Sometimes, in demonstrating how to brainstorm about an essay topic, selecting horror movies, I ask students to name the titles of as many such movies as spring to mind (seldom a difficult feat for them, as the genre remains quite popular among young adults). Then, I ask them to identify the monster, or threat--the antagonist, to use the proper terminology--that appears in each of the films they have named. Again, this is usually a quick and easy task. Finally, I ask them to group the films’ adversaries into one of three possible categories: natural, paranormal, or supernatural. This is where the fun begins.

It’s a simple enough matter, usually, to identify the threats which fall under the “natural” label, especially after I supply my students with the scientific definition of “nature”: everything that exists as either matter or energy (which are, of course, the same thing, in different forms--in other words, the universe itself. The supernatural is anything which falls outside, or is beyond, the universe: God, angels, demons, and the like, if they exist. Mad scientists, mutant cannibals (and just plain cannibals), serial killers, and such are examples of natural threats. So far, so simple.

What about borderline creatures, though? Are vampires, werewolves, and zombies, for example, natural or supernatural? And what about Freddy Krueger? In fact, what does the word “paranormal” mean, anyway? If the universe is nature and anything outside or beyond the universe is supernatural, where does the paranormal fit into the scheme of things?

According to the Online Etymology Dictionary, the word “paranormal,” formed of the prefix “para,” meaning alongside, and “normal,” meaning “conforming to common standards, usual,” was coined in 1920. The American Heritage Dictionary defines “paranormal” to mean “beyond the range of normal experience or scientific explanation.” In other words, the paranormal is not supernatural--it is not outside or beyond the universe; it is natural, but, at the present, at least, inexplicable, which is to say that science cannot yet explain its nature. The same dictionary offers, as examples of paranormal phenomena, telepathy and “a medium’s paranormal powers.”

Wikipedia offers a few other examples of such phenomena or of paranormal sciences, including the percentages of the American population which, according to a Gallup poll, believes in each phenomenon, shown here in parentheses: psychic or spiritual healing (54), extrasensory perception (ESP) (50), ghosts (42), demons (41), extraterrestrials (33), clairvoyance and prophecy (32), communication with the dead (28), astrology (28), witchcraft (26), reincarnation (25), and channeling (15); 36 percent believe in telepathy.

As can be seen from this list, which includes demons, ghosts, and witches along with psychics and extraterrestrials, there is a confusion as to which phenomena and which individuals belong to the paranormal and which belong to the supernatural categories. This confusion, I believe, results from the scientism of our age, which makes it fashionable for people who fancy themselves intelligent and educated to dismiss whatever cannot be explained scientifically or, if such phenomena cannot be entirely rejected, to classify them as as-yet inexplicable natural phenomena. That way, the existence of a supernatural realm need not be admitted or even entertained. Scientists tend to be materialists, believing that the real consists only of the twofold unity of matter and energy, not dualists who believe that there is both the material (matter and energy) and the spiritual, or supernatural. If so, everything that was once regarded as having been supernatural will be regarded (if it cannot be dismissed) as paranormal and, maybe, if and when it is explained by science, as natural. Indeed, Sigmund Freud sought to explain even God as but a natural--and in Freud’s opinion, an obsolete--phenomenon.

Meanwhile, among skeptics, there is an ongoing campaign to eliminate the paranormal by explaining them as products of ignorance, misunderstanding, or deceit. Ridicule is also a tactic that skeptics sometimes employ in this campaign. For example, The Skeptics’ Dictionary contends that the perception of some “events” as being of a paranormal nature may be attributed to “ignorance or magical thinking.” The dictionary is equally suspicious of each individual phenomenon or “paranormal science” as well. Concerning psychics’ alleged ability to discern future events, for example, The Skeptic’s Dictionary quotes Jay Leno (“How come you never see a headline like 'Psychic Wins Lottery'?”), following with a number of similar observations:

Psychics don't rely on psychics to warn them of impending disasters. Psychics don't predict their own deaths or diseases. They go to the dentist like the rest of us. They're as surprised and disturbed as the rest of us when they have to call a plumber or an electrician to fix some defect at home. Their planes are delayed without their being able to anticipate the delays. If they want to know something about Abraham Lincoln, they go to the library; they don't try to talk to Abe's spirit. In short, psychics live by the known laws of nature except when they are playing the psychic game with people.
In An Encyclopedia of Claims, Frauds, and Hoaxes of the Occult and Supernatural, James Randi, a magician who exercises a skeptical attitude toward all things alleged to be paranormal or supernatural, takes issue with the notion of such phenomena as well, often employing the same arguments and rhetorical strategies as The Skeptic’s Dictionary.

In short, the difference between the paranormal and the supernatural lies in whether one is a materialist, believing in only the existence of matter and energy, or a dualist, believing in the existence of both matter and energy and spirit. If one maintains a belief in the reality of the spiritual, he or she will classify such entities as angels, demons, ghosts, gods, vampires, and other threats of a spiritual nature as supernatural, rather than paranormal, phenomena. He or she may also include witches (because, although they are human, they are empowered by the devil, who is himself a supernatural entity) and other natural threats that are energized, so to speak, by a power that transcends nature and is, as such, outside or beyond the universe. Otherwise, one is likely to reject the supernatural as a category altogether, identifying every inexplicable phenomenon as paranormal, whether it is dark matter or a teenage werewolf. Indeed, some scientists dedicate at least part of their time to debunking allegedly paranormal phenomena, explaining what natural conditions or processes may explain them, as the author of The Serpent and the Rainbow explains the creation of zombies by voodoo priests.

Based upon my recent reading of Tzvetan Todorov's The Fantastic: A Structural Approach to the Fantastic, I add the following addendum to this essay.

According to Todorov:

The fantastic. . . lasts only as long as a certain hesitation [in deciding] whether or not what they [the reader and the protagonist] perceive derives from "reality" as it exists in the common opinion. . . . If he [the reader] decides that the laws of reality remain intact and permit an explanation of the phenomena described, we can say that the work belongs to the another genre [than the fantastic]: the uncanny. If, on the contrary, he decides that new laws of nature must be entertained to account for the phenomena, we enter the genre of the marvelous (The Fantastic: A Structural Approach to a Literary Genre, 41).
Todorov further differentiates these two categories by characterizing the uncanny as “the supernatural explained” and the marvelous as “the supernatural accepted” (41-42).

Interestingly, the prejudice against even the possibility of the supernatural’s existence which is implicit in the designation of natural versus paranormal phenomena, which excludes any consideration of the supernatural, suggests that there are no marvelous phenomena; instead, there can be only the uncanny. Consequently, for those who subscribe to this view, the fantastic itself no longer exists in this scheme, for the fantastic depends, as Todorov points out, upon the tension of indecision concerning to which category an incident belongs, the natural or the supernatural. The paranormal is understood, by those who posit it, in lieu of the supernatural, as the natural as yet unexplained.

And now, back to a fate worse than death: grading students’ papers.

My Cup of Blood

Anyone who becomes an aficionado of anything tends, eventually, to develop criteria for elements or features of the person, place, or thing of whom or which he or she has become enamored. Horror fiction--admittedly not everyone’s cuppa blood--is no different (okay, maybe it’s a little different): it, too, appeals to different fans, each for reasons of his or her own. Of course, in general, book reviews, the flyleaves of novels, and movie trailers suggest what many, maybe even most, readers of a particular type of fiction enjoy, but, right here, right now, I’m talking more specifically--one might say, even more eccentrically. In other words, I’m talking what I happen to like, without assuming (assuming makes an “ass” of “u” and “me”) that you also like the same. It’s entirely possible that you will; on the other hand, it’s entirely likely that you won’t.

Anyway, this is what I happen to like in horror fiction:

Small-town settings in which I get to know the townspeople, both the good, the bad, and the ugly. For this reason alone, I’m a sucker for most of Stephen King’s novels. Most of them, from 'Salem's Lot to Under the Dome, are set in small towns that are peopled by the good, the bad, and the ugly. Part of the appeal here, granted, is the sense of community that such settings entail.

Isolated settings, such as caves, desert wastelands, islands, mountaintops, space, swamps, where characters are cut off from civilization and culture and must survive and thrive or die on their own, without assistance, by their wits and other personal resources. Many are the examples of such novels and screenplays, but Alien, The Shining, The Descent, Desperation, and The Island of Dr. Moreau, are some of the ones that come readily to mind.

Total institutions as settings. Camps, hospitals, military installations, nursing homes, prisons, resorts, spaceships, and other worlds unto themselves are examples of such settings, and Sleepaway Camp, Coma, The Green Mile, and Aliens are some of the novels or films that take place in such settings.

Anecdotal scenes--in other words, short scenes that showcase a character--usually, an unusual, even eccentric, character. Both Dean Koontz and the dynamic duo, Douglas Preston and Lincoln Child, excel at this, so I keep reading their series (although Koontz’s canine companions frequently--indeed, almost always--annoy, as does his relentless optimism).

Atmosphere, mood, and tone. Here, King is king, but so is Bentley Little. In the use of description to terrorize and horrify, both are masters of the craft.

A bit of erotica (okay, okay, sex--are you satisfied?), often of the unusual variety. Sex sells, and, yes, sex whets my reader’s appetite. Bentley Little is the go-to guy for this spicy ingredient, although Koontz has done a bit of seasoning with this spice, too, in such novels as Lightning and Demon Seed (and, some say, Hung).

Believable characters. Stephen King, Douglas Preston and Lincoln Child, and Dan Simmons are great at creating characters that stick to readers’ ribs.

Innovation. Bram Stoker demonstrates it, especially in his short story “Dracula’s Guest,” as does H. P. Lovecraft, Edgar Allan Poe, Shirley Jackson, and a host of other, mostly classical, horror novelists and short story writers. For an example, check out my post on Stoker’s story, which is a real stoker, to be sure. Stephen King shows innovation, too, in ‘Salem’s Lot, The Shining, It, and other novels. One might even argue that Dean Koontz’s something-for-everyone, cross-genre writing is innovative; he seems to have been one of the first, if not the first, to pen such tales.

Technique. Check out Frank Peretti’s use of maps and his allusions to the senses in Monster; my post on this very topic is worth a look, if I do say so myself, which, of course, I do. Opening chapters that accomplish a multitude of narrative purposes (not usually all at once, but successively) are attractive, too, and Douglas Preston and Lincoln Child are as good as anyone, and better than many, at this art.

A connective universe--a mythos, if you will, such as both H. P. Lovecraft and Stephen King, and, to a lesser extent, Dean Koontz, Bentley Little, and even Douglas Preston and Lincoln Child have created through the use of recurring settings, characters, themes, and other elements of fiction.

A lack of pretentiousness. Dean Koontz has it, as do Douglas Preston and Lincoln Child, Bentley Little, and (to some extent, although he has become condescending and self-indulgent of late, Stephen King); unfortunately, both Dan Simmons and Robert McCammon have become too self-important in their later works, Simmons almost to the point of becoming unreadable. Come on, people, you’re writing about monsters--you should be humble.

Longevity. Writers who have been around for a while usually get better, Stephen King, Dan Simmons, and Robert McCammon excepted.

Pacing. Neither too fast nor too slow. Dean Koontz is good, maybe the best, here, of contemporary horror writers.


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