copyright 2008 by Gary L. Pullman
Designed as rainspouts, gargoyles are grotesque, often demonic, figures. Their name derives from a French word, gargouille, meaning “gullet,” an onomatopoeia word derived in mimicry of the gargling sound that water makes in the throat. Frequently, rain washed through the figures’ throats and is poured away from the sides of the buildings--usually, cathedrals--upon which they are mounted. There are also chimeras, which are the same as gargoyles except that they fulfill a purely decorative purpose and do not carry rainwater. Architectural and religious features since ancient times, gargoyles were used in Egypt, Greece, and Rome, although most people associate gargoyles with medieval cathedrals. Notre Dame is a famous example. In the United States, the Washington National Cathedral, in the nation’s capitol, is festooned with the grotesque figures, one of which is a likeness of Darth Vader. Princeton’s and several other Ivy League universities’ buildings also include gargoyles as part of their architecture.
Historians vary in their interpretation as to the meaning of these odd figures. Some believe that they were intended to ward off evil, whereas others think that they may have been intended to remind the faithful of the fate of the unrepentant sinner. After all, they were never carved inside the church. They were always perched outside, under eaves or ledges, exiled, as it were, from the fellowship of the faithful, much as Cain’s descendent, Grendel, was exiled from the fellowship of Danish warriors. The gargoyle was an outcast, a pariah. As such, gargoyles could have symbolized damned souls, pressed into labor by God, despite their wickedness, and made to serve the church in their ignominious role as waterspouts.
According to an article concerning “The Gargoyles of Princeton University,” still another theory as to the meaning of gargoyles considered them to be the representations of evil spirits that had been overthrown by the Christian church. They were said to have frozen in stone as they fled from the church. Princeton’s gargoyles, this article explains, symbolize a variety of ideas. One, a blindfolded reader holding an open book in his hands, represents “opening the eyes of those who seek understanding and casting aside the obstructions of prejudice.” However, the article’s author adds, tongue in cheek, “symbolism aside, this figure evokes sympathy from anyone who has ever picked up a book and not understood a word of it.” Another gargoyle, a monkey with a camera, is said to represent “academic endeavor”: he is “playing with technology beyond his understanding,” but the use of which he may learn. Other gargoyles and chimeras on the university’s campus also have an educational spirit, so to speak, and include a flute player, a chained dragon, a football runner, Benjamin Franklin, a dinosaur head, a monkey clown, a literate ape, a man with an open mouth, a goblin with a shell, the head of a football player, the head of a soldier, and a couple taking a joy ride in their automobile.
Like many of the Princeton gargoyles, those who inhabit the exterior surfaces of the Washington Cathedral tend to be humorous rather than somber in spirit. Many represent technological marvels, such as the computer, the astronaut, and robots. Others are depictions of stylized animals, usually of the domesticated rather than the wild variety, or objects from popular culture. One of the more popular of these figures is the one that represents the Star Wars villain, Darth Vader, who was chosen in a nationwide contest, in 1980, in which schoolchildren competed to select designs for the church’s west towers. (Other winners were a raccoon, a girl with pigtails and braces, and a big-tooth man with an umbrella.) The National Cathedral provides a self-guided tour for those who are interested in spotting their gargoyles; one is advised to bring binoculars. The buildings in many cities beside Washington, D. C., also feature gargoyles. The grotesque figures can be seen peering down from ledges, arches, eaves, and other exterior building locations in New York, Boston, Chicago, and elsewhere.
Historians vary in their interpretation as to the meaning of these odd figures. Some believe that they were intended to ward off evil, whereas others think that they may have been intended to remind the faithful of the fate of the unrepentant sinner. After all, they were never carved inside the church. They were always perched outside, under eaves or ledges, exiled, as it were, from the fellowship of the faithful, much as Cain’s descendent, Grendel, was exiled from the fellowship of Danish warriors. The gargoyle was an outcast, a pariah. As such, gargoyles could have symbolized damned souls, pressed into labor by God, despite their wickedness, and made to serve the church in their ignominious role as waterspouts.
According to an article concerning “The Gargoyles of Princeton University,” still another theory as to the meaning of gargoyles considered them to be the representations of evil spirits that had been overthrown by the Christian church. They were said to have frozen in stone as they fled from the church. Princeton’s gargoyles, this article explains, symbolize a variety of ideas. One, a blindfolded reader holding an open book in his hands, represents “opening the eyes of those who seek understanding and casting aside the obstructions of prejudice.” However, the article’s author adds, tongue in cheek, “symbolism aside, this figure evokes sympathy from anyone who has ever picked up a book and not understood a word of it.” Another gargoyle, a monkey with a camera, is said to represent “academic endeavor”: he is “playing with technology beyond his understanding,” but the use of which he may learn. Other gargoyles and chimeras on the university’s campus also have an educational spirit, so to speak, and include a flute player, a chained dragon, a football runner, Benjamin Franklin, a dinosaur head, a monkey clown, a literate ape, a man with an open mouth, a goblin with a shell, the head of a football player, the head of a soldier, and a couple taking a joy ride in their automobile.
Like many of the Princeton gargoyles, those who inhabit the exterior surfaces of the Washington Cathedral tend to be humorous rather than somber in spirit. Many represent technological marvels, such as the computer, the astronaut, and robots. Others are depictions of stylized animals, usually of the domesticated rather than the wild variety, or objects from popular culture. One of the more popular of these figures is the one that represents the Star Wars villain, Darth Vader, who was chosen in a nationwide contest, in 1980, in which schoolchildren competed to select designs for the church’s west towers. (Other winners were a raccoon, a girl with pigtails and braces, and a big-tooth man with an umbrella.) The National Cathedral provides a self-guided tour for those who are interested in spotting their gargoyles; one is advised to bring binoculars. The buildings in many cities beside Washington, D. C., also feature gargoyles. The grotesque figures can be seen peering down from ledges, arches, eaves, and other exterior building locations in New York, Boston, Chicago, and elsewhere.
Many of the gargoyles that decorate (?) the Cathedral of Notre Dame are animals. Others are human faces or heads. It may be that the gargoyles of Notre Dame and other Christian cathedrals were also tools of religious conversion. As “Historical Base for Gargoyles” points out, Pope Gregory encouraged St. Augustine, the Bishop of Hippo, in Africa, to establish the Catholic faith among the local pagan people by substituting Christian for pagan images and icons, allowing the converts to adjust to their newfound faith slowly as they transferred their devotion to their own religious objects and convictions to those of the church: “"Destroy the idol. Purify the temples with holy water. Set relics there, and let them become temples of the true God. So the people will have no need to change their place of concourse, and, where of old they were wont to sacrifice cattle to demons, thither let them continue to resort on the day of the saint to where the Church is dedicated, and slay their beasts, no longer as a sacrifice but for social meal in honor of Him whom they now worship.” In addition, the images and statues, including the gargoyles, were the visual means of communicating theological truths to the illiterate laity. Times have changed, however, and even the fiercest of these grotesque creatures no longer frightens. In fact, the Notre Dame gargoyles are now available as coloring book images!
“Everyday Horrors: Gargoyles” is the first in a series of “everyday horrors” that will be featured on Chillers and Thrillers: The Fiction of Fear. These “everyday horrors” continue, in many cases, to appear in horror fiction, literary, cinematographic, and otherwise.